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Geo Moon
Jan 120 min read
![[Issue 1] K-pop’s Transnational Technique: Affective Aesthetics in Protest Infrastructure across Korea and Taiwan](https://static.wixstatic.com/media/85b834_1a8618203863431ebfe3104be73158fa~mv2.png/v1/fill/w_333,h_250,fp_0.50_0.50,q_35,blur_30,enc_avif,quality_auto/85b834_1a8618203863431ebfe3104be73158fa~mv2.webp)
![[Issue 1] K-pop’s Transnational Technique: Affective Aesthetics in Protest Infrastructure across Korea and Taiwan](https://static.wixstatic.com/media/85b834_1a8618203863431ebfe3104be73158fa~mv2.png/v1/fill/w_454,h_341,fp_0.50_0.50,q_95,enc_avif,quality_auto/85b834_1a8618203863431ebfe3104be73158fa~mv2.webp)
[Issue 1] K-pop’s Transnational Technique: Affective Aesthetics in Protest Infrastructure across Korea and Taiwan
Minu Park( minupark0@gmail.com ) and Chee-Hann Wu ( cheehann.wu@gmail.com ) Preface: Why This Journal Exists This journal began as a necessity. The piece you are about to read—co-written across Korea and Taiwan, across performance and media—was told it did not quite belong. More precisely: an editor at an online platform (on media, performance, and popular culture) imagined a different home for it than the one we carried in mind. We revised in good faith, clarifying our argum
Minu Park
Dec 4, 202514 min read
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